The Warhol piece is based on a true incident. Pull/Push is silly. The Procession is my Existential take on the classic schtick, "who's-on-first." Hanna has been described by my good friend/colleague Brian Caudill as "Dr. Seuss meets Dr. Ruth." Sounds right to me.
Incident At The Grave Of Andy Warhol
Hanna: A Run-On Odyssey
(HANNA began as a run-on exercise I gave to a playwriting class.
To loosen them up.
You start with a phrase and start writing and you don’t think, plan, agonize or punctuate; you just write—let it stream. This was the starting phrase I used that day:
“ . . . so when hanna left the garage and went out to the pool she found that the pool wasn't there but the water was. . .”
I took the class exercise with the students.
I liked my wide-eyed, raunchy, Alice-In-Wonderland heroine and the pressure shifts of Hanna’s pressured odyssey, and I couldn’t stop until I had completed three parts, ending in a Romance—with a black crow.
At some point, the text was made into a theatre piece for narrator, performer, and percussion, by Jacques-Lecoq maven Sara Romersberger. We performed it at The New Dramatists, Primary Stages (in New York City) and at an American Contemporary Theatre Festival.
Be warned: Your on-line eyeballs may scramble a bit, riffing along with Hanna’s run-on odyssey. Could be fun, though. Or not.
FG)
Hanna (Part One): Hanna and the Horny Dwarfs
Hanna (Part Two): Hanna in Tinsel Town
Hanna (Part Three): Hanna and Harold (A love Story)
(check back often; I'll be adding new content)